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GET INTRICATE WITH:<\/strong><\/span>INSIDE THE SCREEN: BEHIND THE SET PRODUCTION OF LUCIFER<\/a><\/p>\n A dystopian future where everything is, in reality, a lot more complicated than it should be. Mr.Robot presents the fans with several new outcomes of what the future might be and how we can cope with it. Although the focus stays on the on the themes of surveillance and paranoia, the one we want to talk about is how this dystopian and futuristic future is set to be.<\/p>\n Fun Fact: Originally, the renowned hit TV show<\/strong><\/a>, was intended to be a feature film! The creator Sam Esmail, was interested in the hacker culture for over 15 years and finally, after so much time has passed, this is the wonder he brought to us. With inspiration such as American Psycho, Taxi Driver, A Clockwork Orange, and The Matrix the show has a bit of it all \u2013 even Fight Club!<\/p>\n Colors, lighting, and textures create the contrast necessary. While the spaces in which Elliot moves are dark, muted and are usually illuminated by natural or practical lighting, E Corp\u2014aka Evil Corp\u2014is presented in the sleek, white surfaces of corporate architecture. \u201cYou go from E Corp, where they\u2019re doing fine and it\u2019s bright and clean and shiny, and then you\u2019re outside where everything is trashed. It\u2019s just even more of a shock to see,\u201d White says.<\/p>\n For the interior design, the crew had a bit more control. And as a show about technology and its hold on our lives, incorporating technology into the sets had to look more or less seamless\u2014and accurate. White says that Sam Esmail, the show\u2019s creator, prefers to shoot screens live instead of burning them in by way of a green screen in postproduction, an easier process.<\/p>\n White, who won an Art Directors Guild Excellence in Production Design Award<\/strong> earlier this year for her work on Season 2 of Mr. Robot, shows us that, working closely with the series creator only creates benefits. Moreover, imagination is all around us\u00a0 \u201cSam and I share a lot of reference photos during prep, as well as work together to create colour schemes<\/strong><\/a> for the characters. While I\u2019m location scouting, I send him photos of my favourite options. [\u2026]The great thing about\u00a0Mr. Robot<\/em>\u00a0is that I can find visual inspiration in anything from a concert, to an art museum, to street art, and Sam is equally as open and excited to incorporate those elements.\u201d<\/p>\n Editor\u2019s Choice!<\/strong><\/span><\/p>\n Billy<\/a> | Hanna<\/a> | Meola<\/a><\/p>\n As always,\u00a0DelightFULL\u00a0<\/a>is here to fulfil\u00a0your wishes.\u00a0 The best way to shine bright like a diamond is the way\u00a0DelightFULL\u00a0<\/a>present it\u2019s stunning\u00a0lighting designs<\/em><\/a>\u00a0into the world.<\/p>\n GET INTRICATE WITH:\u00a0<\/strong><\/span>INSIDE THE SCREEN: THE FAIRYTALE SET PRODUCTION OF PUSHING DAISIES<\/a><\/p>\n We really hope you liked our article. Feel free to pin all the images to your favourite Pinterest board or to print it and use on your mood board. You can visit\u00a0DelightFULL\u2019s Inspirations<\/a>\u00a0page\u00a0as well as our\u00a0Pinterest<\/a>\u00a0boards in order to get more inspirations for lighting designs, mid-century modern style, unique things in the world and so much more.<\/p>\n
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\nAnastasia White is the woman we all want to meet. With a focused eye when it comes to reality, the production set design<\/strong><\/a> is one that we have our eyes on. Keeping the world of New York and the technology the characters use as close to reality as possible this was one of the key features the producer was focused on.<\/p>\n![\"Inside](\"http:\/\/www.delightfull.eu\/blog\/wp-content\/uploads\/2017\/12\/Inside-The-Screen-The-Awarded-Set-Production-Design-of-Mr.Robot-4.jpeg\")
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